Quantcast
Channel: The Watercolour Log
Viewing all articles
Browse latest Browse all 502

New Palette

$
0
0
As I've already indicated the `Blue Jays' study (see separate piece) stemmed from the AVA weekly subject  `Winter Scene'. I'm hooked on birds so combined the two. It also coincided with my revised palette of 24 paints utilising the new insert I asked Craig Young to make. 


Top Row: Hansa Yellow Medium (Daniel Smith PY97), Indian Yellow (Rowney PY153), Perylene Maroon (Graham PY179), Quinacridone Rose (Graham PR19).

Second Row: Permanent Carmine (W & N PR N/A), Quinacridone Coral (Daniel Smith PR209), Ultramarine Blue (Rowney PB29), Cerulean Blue (Graham PB35).

Third Row: Cobalt Blue Deep (Rowney PB72), Cyan Blue (Maimeri PB15:3), Cobalt Teal Blue (Daniel Smith PG50), Turquoise (Lukas PB16).

Fourth Row: Ultramarine Violet (Rowney or Graham PV15), Raw Sienna, (Winsor & Newton ), Raw Umber (Rowney PBr7), Translucent Brown (Schminke Pbr41).

Fifth Row: Burnt Umber (Rowney Pbr7), Quinacridone Gold (Daniel Smith PO49), Qinacridone Rust (Graham PO48), Translucent Orange (Schminke PO71).

Sixth Row: Viridian (Rowney PG17), Phalo Green Yellow Shade (Maimeri PG36), Moonglow (Daniel Smith), Gold Ochre (Winsor & Newton PY43)

There is nothing scientific about the above selection. Limited palette enthusiasts will hold their hands up in horror and wonder about some of the selections.  It is a combination of `must have' colours and those I just
 happen to like. As far as makes are concerned I choose  many of the colours on price as long as the quality is acceptable. Some of the above may well be replaced by other makes. Other colours are chosen because I just happen to love them, Cobalt Teal Blue, Translucent Orange, Translucent Brown and Moonglow are examples.  I'm trying Translucent Brown as a replacement for Burnt Sienna. The Daniel Smith choices are because they do such great colours although very pricey. Although I've listed Cerulean Blue under Graham I actually prefer the Windsor & Newton version. I think there are several alternatives to some of the above. I intend to make up a secondary palette of twelve colours including Green-Gold, Sap Green, Green Apatite, Quinacridone Fuschia, maybe Indigo and Permanent Magenta. Madness? No just me indulging myself. Different colours for different subjects. 

Viewing all articles
Browse latest Browse all 502

Trending Articles